廟上邊的雜線是修廟的鐵架,做畫當時有個工人努力的在烈日當空下為佛廟屋頂安金。

Size: 28 x 76 cm
Media: Chinese ink on paper
點和線是好朋友。
Dots and lines are good friends.
2013.09.24
廟上邊的雜線是修廟的鐵架,做畫當時有個工人努力的在烈日當空下為佛廟屋頂安金。

Size: 28 x 76 cm
Media: Chinese ink on paper
這是一幅畫到被禁止再畫的作品,素描右下角我寫著「原是一個美好的星期天,檳城現在已經變得連畫畫也不那麼自由的地方了!」管理的小姐說我們要在那邊畫畫必須事先向管理單位申請因為那棟老建築為私人擁有。我那時突然覺得很可悲,我的家鄉已經發展成為一個一切都以商業利益為考量的城市了嗎?

Size: 28 x 76 cm
Media: Chinese ink on paper

Size: 28 x 76 cm
Media: Chinese ink on paper

Size: 19 x 56 cm
Media: Chinese ink on paper

Size: 19 x 56 cm
Media: Chinese ink on paper

Size: 19 x 56 cm
Media: Chinese ink on paper

Size: 19 x 56 cm
Media: Chinese ink on paper

Size: 19 x 56 cm
Media: Chinese ink on paper

Size: 11 x 95 in
Media: mix media on rice paper folded album




BALI, INDONESIA “Traveling is definitely more fun when I have my sketchbook with me,” says Penang-born artist Ch’ng Kiah Kiean, best known for his graphite drawings of George Town’s old streetscapes. “Sketching brings me closer to the places that I visit, and leaves me with indelible memories that are far more personal than images recorded through a camera. As with these three scenes from Bali, which I sketched during a trip to the island last July, I look for scenic locations where I can also interact with locals and listen to their stories. People teach me more about a place than any amount of observation can, and the Balinese are among the most genuine and hospitable people that I have met on my journeys, with a vibrant spiritual culture to match. Bali also happens to be incredibly picturesque, whether amid the shimmering rice terraces of the highlands or down on a temple-studded beach. I can’t wait to return—and when I do, I’ll be sure to have my sketching tools along. They are as important to me as my passport.”


Size: 28 x 76 cm
Media: Chinese ink & watercolour on paper