「墨間」Ink-Between

Ink-Between_Wallpaper 01

繪事廿載,五年前始用枯木沾墨作畫。「點」「線」漸能得心應手,唯灰階之「面」,除濃墨稀釋渲染之外,久無他法。後偶然之間,發現以乾筆拂刷水彩紙可得暈染之趣,遂命之為「乾染法」。至此墨畫點線面手法略臻完備。《墨間》乃以此法與水墨傳統對話,嘗試反思與新詮。

I started using dry twigs and Chinese ink to draw in 2011, beginning with “dots” and “lines”, but I had to use diluted ink in order to achieve a grayscale “surface”. Later I found that the ink midtone surface can be achieved by rubbing ink with a dry brush on watercolour paper. I call this technique “dry wash”. With this technique, the drawing method with pure ink and twigs has become more complete. Ink-Between represents my dialogue with the traditional ink painting, with an attempt to re-think it and give it a new interpretation.

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